*IS THE WORLD AT WAR? By Awadifo Olga Kili* .
Is the world at war,
or has war become the drumbeat beneath the ribs of history,
the restless wind that refuses to sleep in the valleys of men,
the fire licking the thatch of our common hut?
Does the earth now speak in gunpowder tongues,
does the sky cough iron and smoke,
does the child learn the alphabet through the sound of sirens?
Tell me,
when did the ploughshare grow teeth,
when did the river begin to carry helmets instead of fish,
when did the council of elders fall silent before the shout of cannons?
Look.
In the wide plains of Ukraine,
where wheat once bowed like obedient daughters to the wind,
the earth now drinks hot metal.
Ukraine groans beneath the boots of Russia,
and the sky is no longer a blue calabash of peace
but a torn drumskin split by drones.
Cities that once sang lullabies in brick and glass
now cough smoke into the cold mouth of Europe.
Old maps are shaken like dusty rugs,
and borders bleed like cut veins.
Is the world at war?
Listen again.
In the burning corridor between river and sea,
Israel and Palestine
wrestle like twins fighting in their mother’s womb.
Gaza weeps.
Sirens wail like widows tearing their hair.
Children count missiles instead of stars.
The olive tree, ancient grandmother of the hills,
stands amputated, her branches scattered like broken spears.
Here, memory is not a book resting on a shelf.
It is a wound that refuses to clot.
Is the world at war?
Travel south,
to the parched mouths of the earth in Sudan,
where brother hunts brother through the streets of Khartoum.
Generals sit on thrones of bullets,
and the Nile watches silently,
carrying corpses like unwanted messages to the sea.
Darfur’s sand does not ask who is right.
It only swallows the fallen
and keeps their secrets in its dune-hued teeth.
Is the world at war?
Go eastward to the highlands of Ethiopia,
where mountains have memorized the language of artillery.
Villages shrink into shadows.
Mothers boil hope in empty pots.
Fathers bury sons whose beards had only begun to whisper.
Ethnicity becomes a sharpened knife,
and history is summoned like a stubborn ancestor
to justify fresh graves.
Is the world at war?
Look to Yemen,
where hunger itself has enlisted as a soldier.
The air is thin with famine.
Bombs fall like uninvited rain.
Foreign hands move pieces on a dusty chessboard,
and the poor are sacrificed without ceremony.
The Red Sea tastes salt and sorrow in equal measure.
Is the world at war?
Cross to Myanmar,
where jungles hide both rebels and regret.
Generals speak with iron tongues.
Villages burn like sacrificial offerings
to the altar of uniformed pride.
The displaced walk in long lines,
their feet writing petitions upon the mud.
Is the world at war?
In the valleys between Pakistan and Afghanistan,
gunfire argues across a border drawn by foreign ink.
Mountains echo with accusations.
The line on the map is not a line.
It is a scar that never healed.
In the eastern reaches of the Democratic Republic of the Congo,
the soil glitters with minerals
and curses.
Armed men sprout like stubborn weeds,
watering themselves with greed.
Children dig in the belly of the earth
while the earth digs graves for them.
And beyond these named wounds
are smaller fires that do not make the loud newspapers,
conflicts whispered in forests and deserts,
coups marching in polished boots,
cartels ruling with invisible crowns,
streets where authority wears a mask
and calls itself order.
So I ask again,
is the world at war,
or is war the language we have refused to forget?
Has violence become our mother tongue,
our inheritance,
our unburied ancestor sitting at every feast?
Yet somewhere a woman plants cassava in defiance.
Somewhere a teacher opens a book in a broken classroom.
Somewhere a child draws a sun
larger than the smoke above his village.
Perhaps the world is at war.
Perhaps the world is also wrestling with its own shadow.
For even now, beneath the boots and the bombs,
the stubborn grass pushes through concrete,
the river insists on flowing,
and humanity, wounded but breathing,
whispers that the drum of war
is not the only drum we know how to beat.
©® Awadifo Olga Kili